artistic educator's perspective
★concept
「教えること」の視覚化:自画像の変容
この「Betweens」シリーズは、生徒の自画像、指導前(左)と指導後(右)を並べることで美術教育の本質について問いかけるものです。作品には<教師>である自分が手を加えず、言葉だけで指導し<生徒>の成長を促します。
これは日常的な絵画の指導にも思えますが、見方を変えれば、教師の【熟練した眼差し】と、生徒の【未熟な筆致】のアンビバレントな相互作用によって不思議な緊張感が生みだされる・・新しい絵画制作の技法とも言えるかもしれません。
・・・結果として、普段は見えない「教え=教師の存在」が可視化され、同時に、指導前の素朴で個性的な<左>が良いのか、指導後の上達した<右>の絵が良いのか、、。美術教育のパラドックスを静かな自画像の対比を通して観る者に問いかけます。
★Concept
Visualizing "Teaching": The Transformation of Self-Portraits
This "Betweens" series challenges the essence of art education by placing a student's self-portrait from before instruction (left) alongside one from after instruction (right). As the <teacher>, I do not physically alter the works; instead, I guide solely through words, fostering the growth of the <student>.
At first glance, this may seem like a typical approach to painting instruction. However, from a different perspective, the ambivalent interaction between the <teacher's> [trained gaze] and the <student's> [unrefined brushwork] creates a peculiar tension—perhaps a new method of painting altogether.
... As a result, the typically unseen "act of teaching—the presence of the teacher" becomes visible. Simultaneously, it raises a question for the viewer: Which is more valuable, the raw and unique expression of the "before" on the left, or the refined and developed "after" on the right? This quiet juxtaposition of self-portraits provokes contemplation on the paradox of art education.